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Recent Illustration
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Sketchbook Drawing - Ringwraith
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Sketchbook Scan - expressions
I've had a big project that I've been working on the last few weeks. I've gotten a lot of practice drawing with my arm instead of my wrist, and using the side of the pencil more than the tip. It helps with speed, fatigue, and proportion. I can't show any of what I've done until sometime next year, so I sketched this stuff out. Mostly wanted to play with expressions. Happy Thanksgiving to all those in the States, and a great weekend to everyone!
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Illustration Update
I recently did this illustration for the Choice Eats tasting event in New York. You can swing by the Shannon blog to read more about it. I also updated the ole portfolio with a few of the pieces I've had here on the blog. Check it out.
The image below is a snippet from another I can't show in it's entirety just yet. Trying to go for the retro look.
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Feliz Navidad
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Adding Some Color
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Angel Head Study
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On the Easel
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Painting of Juliet
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Preliminary Drawing
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Wearing of the Green
I'll try to post more here in the near future. Below are a few tunes I'm enjoying this day. Have a great weekend everyone!
Rising of the Moon - Clancy Brothers & Tommy Makem
The Rocky Road To Dublin - Ryan's Fancy
Stedman's Landing from The Raven's Wing CD - Tom Morley
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Brandy and Brice - Colonial Pirates
Bloggers are allowed a nonsensical post every now and again over a period of time. This is one. An 18th century game mod is the inspirational source behind these little sketches, some of which were done on a tax form that didn't come out of the printer right… which reminds me I have something to do. Also Tricornes are awesome fun to draw.
The Gael - Last of the Mohicans Theme made for some good listening while I doodled these. I'll be gone for a bit as I've got a lot on my plate. More paintings in the future.
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Pencil Study
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Super Sculpey Tutorial
I should stop saying, "coming soon" on this blog. It never happens. Here I've put together a little something on how I use Super Sculpey modeling clay, as I mentioned I would in my last post. I've played with it for about two years now. There's a lot to learn when working in 3D and more to consider depending on what you'll do with your creation - make a mold for production or just a one of a kind piece.
I used a brown shade of Sculpey for the boots and face since they cast shadow and catch light well helping me see the details. The fleshy Sculpey is more pliable and was used for everything else. I forgot to take a picture of it in this stage.
The grey figurine you see is painted with black and white Gesso. I did this to help see any finger prints and imperfections I wanted to correct through sanding and carving. It was about this time that I ran out of weekend and had to finish up. The color figurine was painted using Acrylic Liquitex. This paint has a slight sheen to it so for any areas I wanted to dull down, I just mixed the acrylic with Gesso.
I'm learning new things all the time and may find a better way but this is what works for me so far.
The first thing is to have a reference drawing in size to the desired scale of your finished piece. Using wire I picked up at the hardware store, I created an armature to support the clay. Toothpicks can work, but wire is best for long flowing shapes or figures. Now with this one I did something new. I made a small clay interior structure for additional support and then baked it. The reason is I've had trouble in the past with the clay working it's way loose from the lone wire structure as I tried to shape it. This gives the detail layers of clay applied later something else to grip. I'm not sure if this is a proper way to use the Sculpey as you have to bake it several times in layers, but the pieces I did bonded very well. I found that when I had to redo the boots on this piece, I had to carve and cut the clay off the original skeleton. Since this isn't structural or anything, it works for me.
I used a brown shade of Sculpey for the boots and face since they cast shadow and catch light well helping me see the details. The fleshy Sculpey is more pliable and was used for everything else. I forgot to take a picture of it in this stage.
The grey figurine you see is painted with black and white Gesso. I did this to help see any finger prints and imperfections I wanted to correct through sanding and carving. It was about this time that I ran out of weekend and had to finish up. The color figurine was painted using Acrylic Liquitex. This paint has a slight sheen to it so for any areas I wanted to dull down, I just mixed the acrylic with Gesso.
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Warm Up Sketches
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Weekend Break - With Pencils
Wish I had a buckler. It wouldn't help me through the work week much but then again… maybe I should try it!
I'm one year closer to 30 and feeling it in my bones. It's tough having young people laugh and say your old, and old people laugh and say your not. I thought being a teenager was hard. I want a buckler…
This blog has been pretty low speed these last few months, but roughs for a couple of books have taken up most my time. Publishers have deadlines and blogs don't, so aside the bloggidy blog gets pushed. I really wanted to have a color image on the opposite page of the sad seafaring man. I had a small sketch of a beautiful woman, and putting it in a two page spread below would look cool. When I get something I'll swap it out. Have a great weekend!
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Run Orc! Run!!
The First Annual Goblin Run, with Wizard Gandalf overseeing the race! -or- Gandalf's new "Scorched Orc" Policy. -or- "Leave no Orc unburned!"
What if there was a series of "Run Orc! Run!" sketches. I mean Orcs have it pretty rough. Admittedly they bring most of it upon themselves, but it's still a pitiable state. I can think of a million things that could go wrong for an Orc, what with giant spiders, and dragons, and the general fact that no one cares.
What if there was a series of "Run Orc! Run!" sketches. I mean Orcs have it pretty rough. Admittedly they bring most of it upon themselves, but it's still a pitiable state. I can think of a million things that could go wrong for an Orc, what with giant spiders, and dragons, and the general fact that no one cares.
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Small collection of afterwork sketches
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2011/2012 ARC Salon Finalist.
Resolve - 36" x 28" oil on canvas
I'm pleased to announce that my painting was selected as a finalist for the International 2011-2012 Art Renewal Center Salon Competition. You can see the winners and other finalists at the Art Renewal Center's website by clicking here.
The caliber of artists in the competition is astounding. It is truly an honor to have been a part of it.
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Portrait of Nick
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